Continuo L a t i d o americano de Performance 2020
In a global panorama of general social, cultural, political crisis ... We can still recognise ourselves, resistant, re-existing-ourselves ...
Latin America is a disputed name. How to name ourselves, so that at once and at the same time name the potential that urges in our divers, dreamer and desiring bodies, to grow up creating conjoint worlds to the earth and its cosmic forces, outside the established and naturalized dominance from the so-called "discovery" that has covered and gagged us with its logo-ego-phallus-centric rationalism, domain through which we learned to look at ourselves and lose ourselves in its replicas? If the name (Latin America) emerges from a colonising matrix of struggles over material and cultural control of a wide territory, constituted with occidentalocentric, monotheistic, racist, patriarchal epistemicidal strategies that justified the appropriation of lands, human energy and cultural wealth, through genocidal, slavers, ecocides enterprises, that until today continue to oppress us as subjectivities of these territories, with renewed technologies subservient to the perverse global neoliberal necropolitical project, the name then, deserves exception, suspension or disruption. This CONTINUO LATIDOAMERICANO* DE PERFORMANCE 2020, is constituted as a PLURAL COLLECTIVE CONSTRUCTION, of SYNCHRONIC AUTONOMIES, in the sense of continuity with the legacy of multiple memories. We intend to support forms of linkage and work in a horizontal, mutualistic, non-centralizing sense, or as a system of centers in movement and self-balance between their immediacy and manifestly sensitive extensions, to contribute to consolidating and multiplying these plots and outbreaks in a regional dialogue open to the transmutations of frontiers that the very nature of affections. |
We are motivated by the desire to meet and embrace the gaze of our colleagues, to deepen the reflection of this discipline in our contexts and with the mission of giving more fluidity and power to ties already created. We summon ourselves to conspire to disengage, approach and become an attentive expanded organism, from the ethical-poetic functions that are familiar to us, with a commitment to living historicity and transformative resistance in circumstances of global environmental crisis, patriarchal violence and extreme neoliberal brutality.
This approach / encounter strengthens us and allows us to manage the difference in a structured way, and to implement containment strategies, early warnings to be able to activate mechanisms of care and healing, recognising the worsening of many of the current realities in the countries of the geopolitical spectrum that we encompasses. We have organised ourselves to participate in this broad territorial meeting of performance diversities to shape and activate this sister network of artists that has always been beating, nameless and sustained by ties of empathy, a deep vital purpose and a desire for mutual knowledge and recognition. A moving, mutant network, with traces of encounters, momentary and rhizomatic associations that now comes together with the will to articulate a comprehensive integration from and for performance artists, bodily and culturally situated in the symbolic-territorial spectrum that we rename as Latidoamérica, including its diasporas. * Latidoamerica is a word game that changes the word Latino- into Latido- (heart beat) |
Latidoamerica Extendida: Europa
(committee: Diana Soria Hernández, Guadalupe Aldrete, Marina Barsy)
To cross the ocean to migrate.
The history of the world is the history of migration. The history of the names that have been given to those human groups on the move: settlers, migrants, refugees, colonizers, expatriates, diaspora. We crossed the ocean to live among the “conquerors.” In our program we have decided to talk about how and why we got here, and above all how we managed to stay, how and why we wanted to and were able to leave. The fluidity of borders and territories has come to moist our identity. We inhabit hybrid and fluid spaces of enunciation. Identity and nationality are equivalent and opposite at all times. The “Latin American identity” from within “Europe” is lived between expanded networks, found families and embodied otherness. Artists: Calebe Simões de Souza (BR/ES) / Say it again, again and again Cristiana Nogueira (BR/PT) / salobro Dani d'Emilia (BR/PT) / SOCIAL EGO |
David Sebastián López Restrepo (CO/DK) / Dear foreigners, Happy International Workers' Day
Diana Soria Hernández (MX/FI) / Pointing at the Edge Eduardo Mamede (BR/DE) / Sorry, but we have a wage gap. Eliu Almonte (DO/ES) / Cyborglatidoamericano Guadalupe Aldrete (MX/AT) s./t. Karla Puente Figueredo (CU/PL) / x-Patrida (2020) 1'32'' Marina Barsy Janer (PR/ES) / BORDER MOVEMENT... movimiento fronterizo… MAx Provenzano (VE/PT) / Ostracismo Paula Flores (MX/AT) / Quelites Ricardo Sarmiento Ramírez (CU/AT) / Track 01 Rive Díaz Bernal (MX/DE) / Salmón Rocio Boliver (MX/ES) / Embajadora de la Buena Voluntad Van Jesus (BR/ES) / Looking for the west Cristiana Nogueira (BR/PT) / estudo 5: áurea | contaminações sobre a ponte Elena Victoria Pastor (VE/DE) / Amapate Francisca Trobok (CL/ES) / CUANDO NOS QUITARON LA CH Odette Fajardo Montaño (MX/ES) / Deshielo |
Venezuela
(committee: Aidana María Rico/ MAx Provenzano/ Neydalid Molero/ Eliseo Solís Mora/ Nel Acosta Bravo)
Artists:
Génova Alvarado / NO ME CABE EL CUERPO EN LA MALETA Constanza de Rogatis / Meridiana Analy Trejo / Pulso: corazón de guanábana Juan Perez de la Cruz / Cómo construir un monumento Alejandro Miguel Torrealba Salas / Contenedor Cilíndrico (Propano) Carlos Salazar / Credo Alexander Escalona / Performance cuerpo: 1-19 Carmen Ludene / ¡Quiero alcanzar el Pan! Enmaly Ramírez / Metodología de la Devoración |
Ender Rodriguez / Devora a Bolívar Érika Ordosgoitti / Mátame Yunnan Torrealba / Bloque(o) Yarinés Suárez / Norminalidad Sandra Vivas / Crossing (Cruzando) Raúl Rodriguez / Circadian Rhythm Romel Hervez / “Meditación y oración de los pájaros” Rosangela Pérez / Mapa sonoro de una herida que gotea Adriana Rondón Rivero / Trenzando Una a Una Nuestras Historias de Mujeres Migrantes |
Paraguay, Guatemala, Puerto Rico & Peru
Paraguay (Comittee: Sandra Dinnendahl López / Cecilia Avati/ Brune A. Comas/ Jonatan Fernández/ Nina Ferreyra)
Artists: Ribcage Creatures Communication/ Té de sombra / Brutalismo Bruno A. Comas / Rabia Mariajose Lacarrubba / Arte, Cuerpo y No Discriminación Esedele / Renunciación Nina Ferreyra / El día en que me permití sentirme en mi piel Indira Palacios / Transitar para Sanar Manu Portillo / Lip Sync Drag Queen Guatemala (Comittee: Maya Juracan/ Francela Carrera/ Luisa Gonzalez Reiche )
Artists: María Adela Díaz / Fuego Adentro Rosa Chávez / Aquí murió la justicia Colectivo Freskolongo / CALIFICACION DE OBRAS DE ARTE Aleka Medina / NO SOY RESTOS Francisco Fernando Granados / Trazando la piel del dia (para Gayatri) Alejandra Garabito / Siembre Nativa Wilfredo Orellana-Pineda / Pieles Verdes Puerto Rico (Comittee: Quintín Rivera Toro)
Artists: Nina Méndez Martí / Arrincona Brendamaris Rodríguez Vélez / Manos rojas Raúl E.Reyes Arias / sin titulo Nicolás Dummit Estévez Raful / Born Again Vueltabajo / Con- tornar Quintín Rivera Toro / Diez actos en contra del invierno |
Peru (Comittee: Lorena Peña/ Liliana Albotnoz/ Sandra Bonomini)
Necropolitics of abandoned bodies Is it possible to heal despite continuous bleeding?... We practice the exercise of imagining and (re) imagining some steps to close the cuts... From affectivities and care as opposed to the neoliberal necropolitical project in which dissident bodies: gender, sexuality, race, class and ethnicity, we also include as artists, that we live in abandonment and precariousness by the State and the consequences of the oppressive system. Faced with invisibility and silence, we propose this space to emerge and expand our multiple, diverse, transversal and (in) disciplined bodies and subjectivities. What lives matter, what bodies matter, and what don't? Who deserves to live and who must die? How do we respond to this necropolitic of abandoned bodies? Artists: Elizabeth Lino / SOLASTALGIA Elena Tejada-Herrera / Seguridad del Territorio de la Galería / Gallery Land Security Claudia Vanessa / a[Ser (o no a’Ser’)] la automorision Jorge Baldeón / ESTE CUERPO NO VALE NADA Amapola Prada / Narración de lo sucedido en la historia de PIRV Milagros Felipe / PERÚ TE QUIERO POR ESO TE DEFIENDO Lorena Lo Peña / ANTITUTORIAL Gonzalo Fernandez / Hacer Morir Janine Soenens / FIEBRE Germaín Machuca / FANTASMA(ale)GÓRICA: Escara-pela/Apósitos patrios Diana Daf Collazos / Curacción 1: Resurgir Karen Bernedo / REGRESA - karaoke performance Lilith Albornoz / 14 de Noviembre Sandra Bonomini / Basta de sangre, este es un homenaje |
Brazil
(committee: Wagner Rossi Campos, Cecilia Stelini, Ana Cecília Soares, Anderson Feliciano,
Davi Pontes, Júnior Pimenta, Sabrina Batista Andrade)
Sequence of video performances presented by Invited Artists by the Continuo Latidoamericano of performance 2020 / BRAZIL
More information about participating artists, programming and videos is available on the website: www.continuolatido.wixsite.com/brasil
More information about participating artists, programming and videos is available on the website: www.continuolatido.wixsite.com/brasil
BLOCK 0 / Artists:
Camillat / NADIR Jamile Cazumbá / eu poderia cantar uma canção agora, né Júnior Pimenta / Sabrina Batista Andrade Joyce Malta / Ministério que bufa adverte Marcos Martins / Eu Casa Nau Vegar / Ao pó tornarás |
Nina Caetano / Não era Amor Paulo Nazareth / Lição Mínima: Carne de Pedra Raphael Couto / Discurso Sol Kuaray / Vivo o Rio Wallace Ferreira / Gata Esportiva |
BLOCK 1 / Artists:
Adelaide De Estorvo / Catança
Alexandre Silveira / Depuração 2#
Irmãs Brasil / Travestis, a palestina do mundo
Mathias Reis / Constante G2
Núbia Agustinha / Notas de Aula: carta/rascunho de uma performer
Pedro Paulo Rocha / kapsula5
Vicente de Paula / Perra mo lambada
Adelaide De Estorvo / Catança
Alexandre Silveira / Depuração 2#
Irmãs Brasil / Travestis, a palestina do mundo
Mathias Reis / Constante G2
Núbia Agustinha / Notas de Aula: carta/rascunho de uma performer
Pedro Paulo Rocha / kapsula5
Vicente de Paula / Perra mo lambada
BLOCK 2 / Artists:
Bruno de Jesus e Inah Irenam / Comemos do mesmo prato? Caio Gusmão Ferrer / Transbordar el Cruce Cecilia Stelini / ...a batida do meu coração latino Clarissa Alcantara / Barro, de onde nos reinventamos Fernando Costaa / Concreto Jefferson Skorupski / CorpoVigília CuerpoVigilia |
Júnior Pimenta / Opaco Karlla Girotto / ossos do sertão latido americano Marcelo Gandhi / ULTRA ANTROPOCENO Paulo Aranha / Utuguassu Rose Boaretto / ARMADURA Wagner Rossi Campos / meu jardim virou mato meu mato virou jardim |